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“I Started at the Top and Worked My Way Down”
Orson Welles, Hollywood, and the Curse of Kane
The list of films in which Orson Welles played a part, as director, actor, producer, screenwriter (or any combination thereof), stands in direct contradiction to accepted Hollywood cinematic traditions of mindless entertainment, for Welles tried to raise the intellectual level of American filmmaking. Playing the part of Socrates, he created his own “Empire of the Mind” for an Athens represented by a palm-treed community so absorbed in its own manufactured landscape of cloying device and tactical sentiment that its failure to listen led directly to the loss of its preeminence in the American entertainment industry. Unlike the old Greek philosopher, Welles the artist succumbed early in life to the quicksand of institutional apathy and struggled uselessly against the greed of fearful toadies, who personified a force as natural and unyielding as gravity. It is no coincidence the power of the studios dissipated along with the influence of Hollywood’s greatest thinker. The slide began and ended with RKO Pictures and Citizen Kane.